A short rant in which I explain how planning, in a weird way, reminds me of the amazing connectedness of all things.
December 21st, 2011Unedited. Will probably clean this up in the future.
I’ve danced with my mortality from a young age (perhaps because I’m deranged), and I think we all encounter our mortality on a regular basis. A car accident. A death in the family. A shocking injury. All of these things becon you to “live like you are dying”. But I think that’s a horrible way to live. What is it about the decisions made by dying people that make them so vastly superior to those made by people who are fully alive? I’m not sure. Minimizing my deathbed regret is not how I will optimize for my living days.
Mortality always comes up when I’m thinking about the future, and that topic (the future) seems to occupy a fair amount of my time. As you grow up you become a better builder: instead of piecing together time segments that are hours of a day, or days of a week, you start to put together projects and trips and experiences that can take years. Tack a few of these together and pretty soon you’ve exhausted the space available. You slam into the finite wall of life. It’s like the grey figure of mortality strolls right into the center of the frame as you try to photograph your perfect life, stares directly into your soul for a brief moment, then walks up to you and shakes you by the shoulders saying “this. is. not. real”.
Of course mortality is no dummy, he’s not talking about reality. “Reality is not real” is a statement that no character of my imagination would dare toss out. No, the statement has more to do with the constructs: experiences, places, jobs, things, ownership. The pieces with which you’d build a perfect life if you chose to build one. I’ll come back to this.
But first: I don’t want to own a house. Mostly because I don’t want to “own” a mortgage. But part of it lies in this same concept. Whenever I tangle with the idea of owning a house, I’m not thinking about how many walls I could knock down without anyone’s permission. The first concept is how long it would take me to pay off such an investment, which inevitably leads to me straight into the finite wall of life, which drops me back into thinking about reality. If ownership is transitory, then how do we draw the distinction to renting? Aren’t we all just borrowers of everything we “own”? What do I earn by adopting a construct that ties me indelibly to a massive, singular point in space?
But if we dump all these artificial constructs that we use to slice and dice and make sense out of life, what are we left with? Well, nothing really. You can’t go on without them because your ability to reason about the world depends on them: they are important. Yet if we can scrape the meat off the bones that hold everything together, I think something stunning emerges.
Life isn’t about experiences or trips, jobs or people, places or sounds. All these things imply arbitrary divisions of space and time that are not intrinsic to the human condition. Life is about moments. But these moments aren’t sunsets and feeding at the soup kitchen or trips to Spain. They’re moments where what you feel inside connects vividly to the world which it attempts to run from most of the time. Maybe it’s that vapid disconnectedness that follows a big deadline, the mania that accompanies a defiance of expectaction, or that tender moment where you relate to another individual on a surreal level. Connectedness.
I live for moments, because moments are the interface between me and everything, and feeling connected to everything makes me love life.
